Stefano Pilati says goodbye to YSL with strong, sharp collection – and a fitting finale paying tribute to the legendary Saint Laurent himself
The standing ovation from Anna Wintour said it all.
Such rare, visible acclaim from the powerful U.S. Vogue editor capped Monday’s Yves Saint Laurent show, an emotional farewell to designer Stefano Pilati after more than a decade at the helm of one of the fashion world’s most famous brands.
The sometimes temperamental Italian designer divided critics from the start of his tenure as creative director in 2004. He had a tough act to follow, stepping in then for Tom Ford.
Standing ovation: Fashion's finest took to their feet at the end of the show as Mr Pilati took his bow following his final
After months of speculation, Pilati’s
departure was only confirmed a week ago. The house credited him for
'rebuilding and repositioning' the brand, and its parent company, PPR,
pointed to a 'giant step' up in profits last year.
Actress Catherine Deneuve, the longtime muse of the late, legendary Saint Laurent, was among the celebrities on hand for the final Pilati bow.
Pilati’s final YSL collection was stronger and sharper than last season.
Perhaps fittingly, it channelled black – the color of mourning – and chainmail, redolent of combat and self-defense.
From the outset, a tangibly fatalistic mood hovered in the air: the first model strode slowly down the 100 metre catwalk in a simple black hood.
Dark arts: Stefano Pilati's final
collection for Yves Saint Laurent channelled black — the colour of
mourning — and chainmail, redolent of combat and self-defence
Fatalistic: The seeming lightness of the
materials diluted the fierceness of the clothes. The last piece, a
1970s tuxedo (right), was a single nod and direct tribute from Pilati to
the late, great Yves Saint Laurent
But the seeming lightness of the materials diluted the fierceness of the clothes: Sharp-shouldered silhouettes with cinched waists managed to have an element of fragility.
A long black coat could have been inspired by the Matrix, but had the feel of a kimono and a softness in the leather. A chainmail dress looked delicate – like the skin of a fish – later echoed with finesse in chainmail printing.
A subdued mood with slimmer forms replaced the free volumes of previous seasons. Also gone were the palazzo pants and the Prince of Wales check of last fall, and with it most of the house’s DNA.
'Stefano has given them lot of iconic things,' said actress Salma Hayek, on hand for the show. 'This show was a homage not to the house, but to himself.'
The last piece was the exception that proved this rule. A gorgeous 1970s tuxedo suit, a single generous tribute from Pilati to the late, great Saint Laurent.